MA Narrative Environments Major Project at Central Saint Martins
Creative Direction, Identity Design, Exhibition Design, Research, Writing
2021
Winner of the 2021 Spatial Cultural Equity award from the Spatial Practices Program Prizes 
Nominated for a MullenLowe NOVA Award, the Spatial Practices Prize, and The Steve Lumby Drawing Prize
Queer Botany is a tour with a series of outdoor interpretive displays that tell stories about plants from marginalised perspectives. The focus is on such site-specific wild plants as the dog rose, horse chestnut, coppiced willow and yellow flag. Participants can either learn about them on the project website, find the displays on their own, or be part of a guided tour at the Walthamstow Marshes, northeast London. 

The primary audience is the 18-30-year-old east London LGBTQ+ community, interested in environmental issues. The project emerges from the theoretical lens of queer ecology, which brings together queer theory and eco-criticism. A queer ecological perspective can help displace the dualities that are perceived to exist in culture and nature, preferring instead to insist on multiplicity and diversity. The aims are to share marginalised perspectives, support more diverse representations about the environment and outdoors and affirm connections between queerness and nature.​​​​​​​
Go through the visitor experience of a botanical tour through the Walthamstow Marshes from a queer perspective
Map of the Walthamstow Marshes, Risograph printed on recycled paper, Photo by Ryan Powell
To meet the project’s sustainability goals, it was important to prioritise biodegradable materials. Recycled paper, plant-based textiles, and coppiced wood made for more sustainable materials that minimised the project’s carbon footprint. This was also important as a means of embracing the ephemeral and ever-changing aspect of nature as opposed to the traditional approach to outdoor interpretive displays, which often employs metals, plastic vinyl, and toxic paints in the hopes of lasting forever and needing little-to-no upkeep. 

There is a renewed interest in aligning queerness with nature with a special significance due to the climate emergency. Talking more about plant species can help improve awareness and encourage discussions around biodiversity. Through the event in Walthamstow Marshes, we brought people from the community together to discuss the environment, informed people on queer ecology, shared marginalised LGBTQ+ stories, and brought attention to wild plants in the Marshes. Plants hold a wide variety of stories to be explored through narratives new and old.

Find out more about the project at QueerBotany.com and @QueerBotany on Instagram.
Horse chestnut interpretive display with benches made of birch plywood, willow branches, and natural linen printed banners, Photo by Lucy Hayhoe
Dog rose trellis interpretive display made of willow shoots, willow branches, and printed linen
Coppiced willow picnic blanket interpretive display made using tree stools, organic ripstop, and printed linen
Yellow flag interpretive display made of birch plywood, willow, and printed linen, Filmed by Sally Ashby
Queer Botany website
See what it was like installing the interpretive displays and going on a queer botanical tour of the Walthamstow Marshes, Filmed by Sally Ashby, Music by The Empireal Formula

PROCESS
Site research photographing and studying the various plants in the Marshes
We leveraged social media to communicate with our target audience and engage with the community through events and workshops
Emotional map of the visitor experience
Queer Botany visual language
Queer Botany material language
Interpretive display visualisations
Technical drawings for dog rose trellis
Process images for designing and building the interpretive displays
The visitor can  scan the QR code, to go to the project website with extended text, audio description, and images, Photo by Ryan Powell
Diagram of methodology 
Botanical and Horticultural Consultation: Sophie Leguile 

Botanical Consultation: Lizzie Roeble

Editing: Kiron Ward 

Concept Development and Installation: Lucy Hayhoe 

Making and Installation: Rosa Pascual 

Spatial Design Consultation: Phark Lertchanyakul

Sewing and Pattern Cutting: Leanne Finn-Davis

Film: Sally Ashby

Installation: Jess Barter, Haruyasu Yanagi, Callum Murphy


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